Show The Love...Win Books

Yes, the rumors are true and I'm plotting the next installment of the Alexandra Sabian series. While planning and scheming murder, mayhem, destruction, and general fun stuff like that, I'm also thinking of the next step in Alex's relationship with Varik. I can't say much since y'all haven't read BLOOD SECRETS yet (which I'm dying for y'all to read!! Anticipation is NOT my friend...) and I don't want to give spoilers.

But...I've been thinking a lot about love and relationships lately, and with Valentine's Day fast approaching, it's hard not to notice all the cutesy hearts and bears. As "they" say, "Love is in the air." So I'm going to show my love for readers and hold a contest!

SHOW THE LOVE...WIN BOOKS CONTEST

To enter: Post your favorite literary love duo (can be from classic literature or contemporary genre fiction) and why you're drawn to their relationship in the comments section. For example: Romeo and Juliet -- I'm drawn to them because they're the embodiment of forbidden and tragic love. OR Cat and Bones -- I love 'em because they're just freakin' HAWT! (You get the idea.)

Dates: Contest begins Friday, January 28 and end Monday, February 7. Winners will be announced Tuesday, February 8.

Entries: Only 1 (ONE) entry per person. Contest IS open to international participants.

Prizes: Four (4) lucky winners will be chosen at random and receive the following--

• 1st Prize...
  BLOOD LAW by Jeannie Holmes (signed)
  HOT ROCKS by Nora Roberts
  GHOST SHADOW by Heather Graham
  KILLING ME SOFTLY by Maggie Shayne
  THE PERFECT POISON by Amanda Quick



• 2nd Prize:
  ENEMY LOVER by Karin Harlow
  WICKED BECOMES YOU by Meredith Duran
  BIG JACK by J. D. Robb



• 3rd Prize:
  DANGEROUS DESIRES by Dee Davis
  THE PERFECT POISON by Amanda Quick (Yes, I have two copies of this book.)
  SUGAR CREEK by Toni Blake



• 4th Prize:
  CRAZY FOR LOVE by Victoria Dahl
  RUNNING HOT by Jayne Ann Krentz
  I LOVE THIS BAR by Carolyn Brown

All books are new and unread. Genres range from contemporary to regency romance to paranormal to urban fantasy.

Yes, there's only one copy of BLOOD LAW up for grabs, but don't worry. I'll have more contests in the future, especially as we get closer to June and BLOOD SECRETS.

The contest is now open so show me the love!!

Writing Urban Fantasy, Part 2 -- "Fact vs Fiction in Fiction"

Hi, my name is Jeannie, and I'm a researchalholic.

I admit it: One thing I love most about starting a new project is the research. Beginning with a kernel of an idea, selecting books and surfing websites to fertilize that kernel, pulling together disparate mythologies and cool modern science, and then watching my little kernel blossom into a carnivorous flesh-eating plant....*sigh* It’s magical.

In Part 1 of the "Writing Urban Fantasy" series, I said that -- aside from the basic rules of grammar, spelling, and story structure -- there are no rules to writing fiction, and this is true. However, this doesn't always mean you can make the stuff up willynilly and trust readers to buy into it because you, the author, says so. Readers are far more savvy than that, especially readers of urban fantasy. There is a proliferation of urban fantasy on the market and readers who enjoy this genre tend to read A LOT and have seen multiple mutations of various supernatural beasties so you're going to have to create something a little (or a lot) different as well as make sure your real world facts are in order.

With that said, I'm going to lay out my rules for researching an urban fantasy novel. Yes, I said there are no real rules to writing urban fantasy. However, there are rules for research...or at least there should be...and these aren't "rules" so much as "guidelines." They're holdovers from my college days and have served me well. Hopefully you will find them equally useful.

Research Rule #1: Wikipedia is NOT an acceptable primary source.

First, let me just say that I like Wikipedia and use it often. However, I do NOT accept any information I gather from the site as valid without verifying it in at least two other non-internet sources. Why? Because anyone can add information to Wikipedia and the information presented on the site is often inaccurate or unverified. Therefore, unless I can verify the information through outside sources, I usually discount it.

This is especially important for information regarding the real world. If Wikipedia tells me the state capital of Mississippi is Hattiesburg, I'm going to refer to A) a map of the state, B) the state's official website, C) a book on Mississippi state history. If verified, I'll run with Hattiesburg as the capital. (FYI: Hattiesburg is not the capital of Mississippi -- Jackson is.)

When we enter the supernatural realm of mythology, folklore, and things that go bump in the night, this level of inaccuracy isn't as important. After all, the key word in "urban fantasy" is "fantasy." Find the information that suits your particular project or make it up as you go along.

Research Rule #2: When in doubt, leave it out.

Confession: I know a little more than jacksquat about police procedures, and yet I write a series in which the main character is a federal agent. How am I able to do this? I researched my butt into oblivion before ever setting fingers to keyboard, and I probably used a tenth of the information I gathered.

Much of the information I left out dealt with forensics. I'm not an expert in the field nor do I want to become one. I have rudimentary understand of most procedures, especially with regards to crime scenes, and the rest occurs off-page because I don't fully understand the various tests and procedures. I gloss over the parts I don't know or understand and then manipulate the results to achieve my goals.

As an expert in the field told me several years ago, it's better to gloss over those bits and just present your results than to include inaccurate information because the real experts will call you out for it.

Research Rule #3: Go beyond the books whenever possible.

Writing a novel set in Grand Rapids, Michigan in November when you live in Honolulu, Hawaii can be challenging. Unless you're originally from Michigan and are familiar with the Grand Rapids area and all the nuiances that come from living in the northern US, you're going to have to do some research. Yes, books and websites are wonderful starting points, but nothing beats walking the city's streets in November and experiencing it first hand.

The same is true of law enforcement or hospitals or most professions. Nothing can compare to the actual experience of traveling 100+ mph along the interstate at 2:00am with lights and sirens as you respond to a radio call of "shots fired." This is something I've experience first hand and will never forget.

If you're setting a story in an unfamiliar location, try to arrange a trip to that location. Stay a few days. Take pictures. Talk to locals. Try to pick up "the vibe" of the area. You may not use everything you learn, but your story will be much better because you have that knowledge.

If you're writing a story about law enforcement, check with your local metro police or sheriff's departments. Some cities and counties offer "citizen acadamies" in which people from the community can interact with law enforcement officials from different branches. Many programs such as these will offer a ride-along program -- you get to spend time with an officer on patrol and see what they see. (That's how I ended up traveling 100+ mph along the interstate at 2AM.) If your community doesn't offer a citizen academy program, most law enforcement agencies have a public relations officer on staff. Reach out to him or her, explain your interest, and most are willing to work with authors.

The same is true of the medical field, although it's more difficult to gain access to "insider information" due to patient confidentiality laws. However, many hospitals have a volunteer program. While you may not have access to "the action," it's a great way to meet staff who may be willing to talk outside of work about what they do, and you're also giving back to the community. It's a win-win.

Now, I mentioned books and websites at the beginning of this post. I'm a bibliophile. I collect books. Yes, I have an e-reader and I love it, but I use it primarily for novels -- fun reading. When I'm researching, I prefer the feel of a real book. Plus, I also tend to make notes in margins and use a ton of stick notes to create a "road map" for myself. Again, it's something I've done since college and I doubt I'll change.

How much research you put in to your "fantasy" elements is really up to you. It does pay to know basics, especially if you're writing about spellwork or something in the magical arts. Again, people who really do know this stuff will call you on anything that seems to far outside the realm of believable. That doesn't mean you can't make anything up as you go. In fact, it's best if you do. However, a little research can spark all kinds of new ideas. Don't be afraid to see where the rabbit hole leads you. You're story could lie on the other side.

Below is a list of some of my favorite research books. Most can be readily found on Amazon or Barnes & Noble or even better, grab the ISBN and ask your local indie store if they have it in stock or are willing to order it for you. Others may be out of print and harder to find -- check eBay or Half. com for some of the harder to find books. Also, do be afraid to check the shelves at the local Goodwill, Salvation Army store, or other charity-based outlet. You may be surprised what you find. Estate sales and garage sales are also great resources for older books, as are library sales. Second-hand book stores are also great.

Here's my list of some of my fave research books...and please be aware these represent only a fraction of the books I actually possess and actively reference:

General:
Webster's Dictionary
Roget's Thesaurus
The Elements of Style - Strunk and White

Vampires:
Vampire Universe - Jonathan Maberry
They Bite! - Jonathan Maberry
Encyclopedia of Vampires, Werewolves, and other Monsters - Rosemary Guiley
The Science of Vampires - Katherine Ramsland
Psychic Vampire Codex - Michelle Belanger
The Vampire Book: Encyclopedia of the Undead - J. Gordon Melton
The Vampire Encyclopedia - Matthew Bunson
The Vampire in Lore and Legend - Montague Summers
In Search of Dracula - Raymond T. McNally
Our Vampires, Ourselves - Nina Auerbach
Vampires and Vampirism - Dudley Wright
Vampire Forensics: Uncovering the Origins of an Enduring Legend - Mark Collins Jenkins
Vampyre Sanguinomicon: The Lexicon of the Living Vampire - Father Sebastiaan

Werewolves, Demons, Zombies & Other Critters:
Zombie CSU: Forensics of the Undead - Jonathan Maberry
Dictionary of Demons - Michelle Belanger
The Encyclopedia of Demons and Demonology - Rosemary Guiley
Dictionary of Angels: Including the Fallen Angels - Gustav Davidson
The Encyclopedia of Ghosts and Spirits - Rosemary Guiley
A Field Guide to Demons, Fairies, Fallen Angels and Other Subversive Spirits - Carol K. Mack
The Goetia: The Lesser Key of Solomon the King - Aleister Crowley
Fallen Angels, the Watchers, and the Origins of Evil - Joseph B. Lumpkin
Werewolves: A Field Guide to Shapeshifters, Lycanthropes, and Man-Beasts - Bob Curran
The Werewolf Book - Brad Steiger
The Element Encyclopedia of Magical Creatures: The Ultimate A-Z of Fantastic Beings From Myth and Magic - John Matthews and Caitlin Matthews

The Fae World:
Faeries: Deluxe Collector's Edition - Brian Froud
Brian Froud's World of Faerie (v. 1) - Brian Froud and Ari Berk
Good Faeries Bad Faeries - Brian Froud
Goblins! A Survival Guide and Fiasco in Four Parts - Ari Berk and Brian Froud
Gnomes 30th Anniversary Edition - Wil Huygen
Giants - Julek Heller
Spirits, Fairies, Leprechauns, and Goblins: An Encyclopedia - Carol Rose
Fairies (Mysteries, Legends, and Unexplained Phenomena)- Rosemary Guiley

Magic:
Note: Books listed here are for reference only. I do not advocate the practical use of any information found within these tomes without proper research, study, guidance, and/or training.
The Element Encyclopedia of 5000 Spells: The Ultimate Reference Book for the Magical Arts - Judika Illes
Cunningham's Encyclopedia of Magical Herbs - Scott Cunningham
The Complete Book of Incense, Oils and Brews - Scott Cunningham
Cunningham's Encyclopedia of Crystal, Gem & Metal Magic - Scott Cunningham
Practical Candleburning Rituals - Raymond Buckland
The Element Encyclopedia of Secret Signs and Symbols: The Ultimate A-Z Guide from Alchemy to the Zodiac - Adele Nozedar
Cunningham's Encyclopedia of Wicca in the Kitchen - Scott Cunningham
The Alchemists Handbook: Manual for Practical Laboratory Alchemy - Frater Albertus
Three Books of Occult Philosophy - Henry Cornelius Agrippa, James Freake, and Donald Tyson
Liber Null & Psychonaut: An Introduction to Chaos Magic - Peter J. Carroll

This concludes the second installment of the "Writing Urban Fantasy" series. Up next...character development!

The Invasion Begins in Memphis....

I literally just received confirmation for this a short time ago:

I will be attending MidSouthCon 29 in Memphis, TN on March 25-27. This is my first trip to MSC and I'm stoked!!

No word on schedule yet, but have been told it will be forthcoming. I'll keep everyone updated as soon as I know more.

Other dates are in the works as well. For the record, I WILL NOT be attending RT (Romantic Times Book Lovers Convention) this year. I hate to miss the party but my schedule doesn't allow it.

That's all the news I have for now but I hope to have more soon. That is all. :)

Harsh Truths About Your Favorite Books

I love books. I love to read them. I love to talk about them. I love to collect them. I love to sit and stare at them. Most of all, I love to write them.

However, I don't love people who obtain them without paying for them. I'm not talking about lending a book to your friend or checking out a book from the library. By all means, support your local library. Borrow from your friend. No, I'm talking about theft in the form of electronic file sharing, or e-piracy.

Karen Dionne, author of FREEZING POINT and BOILING POINT, wrote an article for DailyFinance about the high costs of e-piracy and what it means to authors. In her article, she makes the following statements:

"At one file-sharing website, users have uploaded 1,830 copies of three books by a popular young adult author. Just one of those copies has had 4,208 downloads. On the same site, 7,130 copies of the late Michael Crichton's novels have been uploaded, and the first 10 copies have been downloaded 15,174 times.

Even if only a fraction of the downloads from this and dozens of other file-sharing websites represent actual lost sales, they still translate into a staggering amount of royalties that have been stolen from authors." Click here to read the full article.

To say it's "a staggering amount" is an understatement. Let's examine the potential impact of even one of these examples.

Let's take the 4,208 downloads of one book from a popular YA author. Let's assume the book is available in mass market paperback and e-book formats for identical cover prices of $7.99. (E-books are often a little cheaper, but for our purposes we'll assume an equal sale price.) Those 4,208 downloads represent $33,621.92 in lost sales, excluding tax.

We now come to the sticky bit, the harsh truth that most people don't know about your favorite books. That $33,621.92 I mentioned? That isn't the author's money. We actually only see a small fraction of it. The majority goes to the publisher to cover costs of printing the book (or in this case, formatting the book to display correctly on a variety of e-readers), paying the cover artists and designers, paying the editor and copyeditor, and a host of other expenses.

So, how much of that $33,621.92 does the author see? Well, assuming again that the book originated in mass market paperback and the author had a cracking good agent who worked a really sweet deal, the author can count on seeing anywhere from 5% to 8% of the cover price. Most contract are actually written for less, but 5% is a good estimate. In other words, the author should receive roughly $1681.10 for those 4,208 e-copies, or approximately $0.40 per copy.

Now here comes the second harsh truth of your favorite books. Authors aren't actually paid that $1681.10 by the publisher until we've earned out the advance monies the publisher pays us when they buy the rights to our work. Advances are earned out at a rate equal to the percentage of the cover price stated in our contracts. So an advance of $5000 (considered an industry "standard") must be earned back at $0.40 per copy, which means roughly 12,500 copies of the book must be sold before the author sees a royalty check.

The third harsh reality of your favorite books is this: Until our advances are earned out and authors start drawing royalty checks, we aren't drawing any money from the publisher. Zip. Zilch. Nada. Zero. This is why so many authors keep a 40-hours-a-week day job. Very few authors actually earn a living by writing alone.

What's the fourth harsh truth? An author must pay his or her agent a percentage of their advance and royalties as well as income tax. The standard amount paid to an agent is 15%. So that $5000 advance from the publisher actually becomes $4250 ($750 goes to the agent) but we must still earn back the full $5000 paid by the publisher. Also the $1681.10 the author in our example would've received for 4,208 e-copies of her book if they were actually sold and not stolen (and assuming she'd earned out her advance already and was drawing royalty checks) would actually be $1428.93 (another $252.17 goes to the agent). The author must then pay income taxes at the self-employment of 15.3%...which means her grand take home pay is roughly $1210.30. Oh, and this doesn't include whatever taxes are required by the state in which she
lives. The 15.3% self-employment tax is federal.

Here's the fifth harsh truth... When you see an author at an event such as a convention, they've usually paid all travel expenses out of their own pocket. Registration fees, hotel, gas, plane or train tickets, food -- all of it comes from our pocket.

Let's assume our popular YA author, after paying her agent and taxes, has $1210.30 to attend a conference. Some of the larger conventions can have huge registration fees. Let's say she wants to attend a national-level conference and registration cost $400 -- that's a huge chunk of her $1210.30. Now she wants to stay in the "host hotel" and has to pay an estimated at $200 per night at the conference rate and the conference last 4 days. She arrives the day before it starts and leaves the day after it ends for a grand total of 5 nights -- that's another $1000, which is $200 more than she has available. Add in travel expenses and food and our author is now in the red and losing money. Plus any promotional material she wants to take with her to advertise her book, such as book marks, pens, flyers, and all that other cool freebie stuff readers pick up by the handfuls, cost money to produce and the author is responsible for about 90% of it.

Good thing she has a day job and has saved a little extra money to supplement the cost of her writing.

Of course, we haven't even covered the issue of how low sales for any reason can cause a publisher to not renew an author's contract and affect the author's ability to get a new contract with another publishing house. Lost contracts equal lost jobs for writers.

It also means the potential loss of your favorite books.

So go ahead and download that "free" e-copy and believe it's not harming anyone, that "authors can afford it" because we all "get the big bucks." Go ahead. Do it.

The final harsh truth is that we, as authors, can't afford for you to want to save a few bucks and download a "free" copy of our work. It's stealing. When you do it, you're stealing our ideas, our time, and our ability to support our families.

The truth is no writer writes to get rich. We write because we love telling a story, because we love books, and because we want people to read the books we write.

We only ask that we be compensated for the time we so willingly give to creating the stories you love to read.

P.S. -- I haven't forgotten about the "Writing Urban Fantasy" blog series I started, but I've been busy, well, writing and will return to it soon.